Associate Editor, Guitar Player Magazine
Michael Masley, Carl Weingarten, Lou Maxwell Taylor, Michael Pluznick, Johan Berke, Richard Pinhas
"When I slipped the Recoils under my monitors and brought up a familiar mix, the difference was so obvious that even a one-eared sound engineer with 50% hearing loss could tell the difference. The lows and mids were significantly tighter and punchier, with greater separation and detail, with increased clarity across the frequency spectrum. A closer listen revealed an overall improvement in imaging and sharper definition of subtleties such as delay and reverb decay."