“Being able to fine-tune a room on site makes all the difference. Primacoustic has everything you need to treat any space. The unique mounting scheme is easy to install and lets you make adjustments without thrashing the interior surface. It works.”

~ David Rideau
Engineer/Producer - Janet Jackson, Sting, TLC, Kirk Franklin, George Duke and Jennifer Lopez

“I was suspect at first, but after a few minutes with the Recoil Stabilizers I realized how much difference they made. Especially on the low end. I'm keeping these. They work. ”

~ Al Schmitt
Engineer/producer - Barbra Streisand,
Steely Dan, Ray Charles, Quincy Jones

"I installed 3 of the Primacoustic FullTraps in the back of my 5.1 music studio.  What a difference; tighter bottom end, smoother mids.  I especially liked that my clients now have a better listening environment at the back of the studio. Before, there was a lot of bass build up and they would comment that the mix sounded bottom heavy.  When I invited them to sit in the sweet spot at the console, they could hear the proper balance.  Now, with the FullTraps, they can sit in comfort at the back of the studio and hear my music the way it's supposed to sound."

~ Hal Beckett
Emmy-nominated composer - Beckett Music

“The Freeports changed my home studio from a booming cavern type of sound to a nice compact true sound. What I hear now from the monitors is what I hear when I play the music on other systems. I love the Primacoustic Freeports. I didn’t even need a tech to set them up for me.”

~ Randy Bachman
The Barn Recording, The Guess Who, Bachman-Turner Overdrive

“The Recoil Stabilizers are great! A huge difference from regular foam pads. They sound more stationary and connected. I'm quite happy with them.”

~ Elliot Scheiner
Engineer/Producer - Steely Dan, Fleetwood Mac, Sting, The Eagles, Queen , REM, Faith Hill

Steve Page sent us this great little story about recording in his basement studio. "Once upon a time I had a studio setup in a room in my basement. A room with enough space for my gear and my instruments and a comfortable chair and some bookshelves. I liked to record in there. I spent hours and hours recording and mixing, and then I would proudly march my mixes to my car stereo, where they sounded terrible. What a huge disappointment to know how I'd been misled by my own basement. To the rescue came Primacoustic, with a whole bunch of affordable solutions. With the addition of some Freeports and some bass traps, I could actually HEAR what I was mixing! Then later, in my car, I could proudly crank mixes with confidence! See, it doesn't take a million dollars to help out your room!“

~ Steven Page - Barenaked Ladies

“Before we added the Primacoustic Razorblades, the mids were confused and muddy. Since they have been installed the problems have been cleared up and our customers are really pleased. The Razorblades work great and are priced right.”

~ Richard Gould
Technical Director - McPherson Theater, Victoria B.C.