How To Use The KickStand

The KickStand is a simple microphone stand base designed to be used with a boom arm or goose neck. The KickStand's clever design allows any length boom arm to be articulated upwards for added reach. This way the KickStand may be used with drums as well as many other instruments.

On bass drum, the KickStand is normally positioned front-on. Space in the studio is normally not a problem. But sometimes, on live stages, space on the drum rise may be limited. The KickStands weight is more than sufficient to hold a microphone when it is angled off center. This can save space on small stages.

Attaching The Boom To The KickStand

The KickStand comes with three pieces or hardware: The threaded mic stand adaptor, the quick release knob and a lock washer. These combine to allow you to rotate the boom and securely lock it in place.

Start by attaching the boom onto the KickStand. Make sure the lock-washer is positioned between the steel plate and the quick release tightening knob. Once the boom has been threaded onto the stand adapter point it in the right direction and tighten the quick release knob. To adjust the boom position, loosen the quick release knob, rotate the boom, then re-tighten while holding the boom in the direction you want.

There are many choices of mic booms available to suit every need:

Short Boom Long Boom Telescopic Boom Fulcrum Boom Extended Fulcrum Goose Neck
This is usually the best option for kick drums as this keeps the space requirement on stage as small as possible This provides more reach which in some cases can be better. Good choice when positioning the mic inside the kick drum The telescopic boom gives you more flexibility. The down side is more moving parts to keep tight! Great solution for small drum risers. Rotates in an arc. Requires moving the KickStand in/out to make adjustments. Allows the KickStand to reach higher for use on floor toms or higher up on speaker stacks. Gives you lots of mobility, but these tend to sag and wear faster.

Kick Drum

The KickStand is equally suitable for positioning the microphone inside or outside the kick drum. Once in place it will eliminate resonance from the stage and noise from the drum kit itself from transmitting through the hardware to the microphone.

Floor Tom

Floor toms are particularly troublesome with respect to low frequency resonance. By isolating the mic stand, you help decouple the microphone from the stage which in turn reduces the low frequency resonance that can cause feedback.

Contrabass

When amplified, the upright bass or contrabass is particularly sensitive to low frequency resonance. By decoupling the microphone from the stage or studio floor, you will eliminate phase cancellation caused by the sound resonating through the mic stand.

Guitar Amplifier

Anyone that has played a guitar amp in an apartment knows that sound will resonate through the floor into the apartment below. The same thing happens on a stage or in a studio. By eliminating the vibration borne resonance from going into the mic, you add clarity and detail. This applies to both electric guitar and bass.

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